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71.
文学翻译中对文化因素的把握是一个重要问题。本文从这一角度出发,对清朝吴敬梓所著《儒林外史》和杨宪益、戴乃迭夫妇的英译本进行比较,指出译文在文化因素的把握处理方面有几个值得再加斟酌之处,并予以分析说明,以期在文学翻译中文化因素能得到进一步的重视及更为妥善的处理。  相似文献   
72.
ABSTRACT

In this article, I question practice as a research paradigm by exploring its position in relation to non-positivist qualitative methodologies. Frayling’s [1994. Research in art and design. Royal College of Art Research Papers, 1(1), 1993/4] distinctions between research into, through, and as (for) practice are expanded to explore overlaps between these approaches. I argue for the need to understand the nuances of different epistemologies and ontologies that underpin diverse disciplinary approaches to practice-research. This is done through an analysis of a selection of Arts and Humanities Research Council (AHRC)-funded projects to find out how they are using and/or embedding practice in the research process. The resulting Colour Wheel of Practice-Research illustrates a spectrum of positions of practice in relation to research, suggesting existing research paradigms are bursting at the seams and that the “disciplinary matrix” of practice might offers other ways of knowing. The reason I have chosen to focus primarily on AHRC-funded projects is because it explicitly states its support of “practice-led research” and that it “remains dedicated to this area of research”. This article aims to add to knowledge of how and why practice-research is of continuing interest to research councils, universities, and those identifying as practice-based/led researchers.  相似文献   
73.
ABSTRACT

This article highlights the benefits of cultural readings of the environment by showing how the reservoirs of the Washburn Valley, built by the Leeds Corporation between 1869 and 1879 and vital sources of potable water for the urban population, altered the area’s cultural landscape. An examination of Leeds-based newspapers and locally published guidebooks will show how the reservoirs positively affected Romantic depictions of the area, whilst the use of the phrase ‘the Leeds Lake District’ fabricated a sense of civic pride between the town and its hinterland, an area positively affected by the implementation of urban engineering.  相似文献   
74.
在汉语预科教学中,汉语强化教学是最重要的组成部分,而在汉语强化教学中,汉字是亟待突破的一个难题,尤其是针对非汉文化圈国家的留学生,如何帮助这部分学生高效习得汉字对于汉语预科教学具有突破性的意义。针对非汉文化圈国家的留学生所面临的汉字学习难问题,本文将根据已有的教学理论和探索实践,提出几点针对汉字教学模式的改革,帮助留学生尽快度过汉字学习的困难阶段,从而将汉字的学习转化成一种自然的习得。  相似文献   
75.
This study examines how the Early Years Educators at Play (EYEPlay) professional development (PD) programme supported inclusive learning settings for all children, including English language learners and students with disabilities. The EYEPlay PD model is a year‐long programme that integrates drama strategies into literacy practices within real‐classroom contexts. Inclusive education refers to ensuring equal opportunities to access and participation in learning activities for all students. Cultural‐historical activity theory was used to understand and unpack the drama practices. Twelve semi‐structured focus group interviews were conducted with 19 preschool teachers. The data were analysed via constant‐comparative and interpretive methods. The study findings showed that EYEPlay PD practices enhanced inclusive learning settings for diverse groups of students by increasing access and expanding opportunities to learn, and supporting a positive learning environment.  相似文献   
76.
采用文献资料、田野调查等方法结合文化学相关理论对"花环龙"的起源、表演风格、艺术特点、传承与发展等情况进行研究.研究显示:"花环龙"起源与祭祀有关,源于需要;"花环龙"表演凸显"圆文化"风格,表演艺术突出"合和文化"特征,其制作融入了"阴阳五行文化";"花环龙"以客家儿女为参与群体,以祭祀、拜师授徒等多种形式传承;非物质文化自身的适应性和发展性是"花环龙"传承与发展的关键.  相似文献   
77.
采用文献资料法、逻辑推理法并结合田野考察法,以文化人类学和社会表征理论为依托,阐释藏羌走廊民族传统体育文化符号表征的意义。研究认为:藏羌走廊民族传统体育文化符号具有“三征并存”的功能结构和“三化并行”的功能价值。通过对藏羌走廊民族传统体育文化符号表征的研究,对藏羌走廊民族传统体育文化资源的传承与发展,以及人类学家和民族学家对民族传统体育文化符号的深层次研究具有导向作用。  相似文献   
78.
东盟区域龙狮运动传播过程中伦理困境的解决是促进龙狮运动在国际上传播的重要影响因素。面对传播者的行为瓶颈问题,应从提高传播者的道德意识做起;面对传播媒介沦陷的问题,应注意龙狮运动传播媒介作用的正确发挥;面对中西方文化差异问题,应促进各国文化的融合;面对受众对龙狮运动的误解,应扩大对龙狮运动的正面宣传。深入解决龙狮运动传播的伦理困境,加快龙狮文化的国际传播脚步。  相似文献   
79.
This article focuses on Chua Beng Huat’s work on the East Asian pop culture that became more prominent in East and Southeast Asia from the 1990s, when the circulation of multilingual and multi-format pop culture started to exceed linguistic, ethnic and national boundaries. It argues that Chua’s work indicates that the pop-cultural production and innovation that support the globalisation and regionalisation processes in East Asia need not be national in origin but can hail from different national origins – and this despite the existing political realities of the region and its history of political fractures. Chua Beng Huat cautions, though, that the national popular can also be marshalled to defeat the border-crossing potential of an inter-Asian pop culture. What is the “Asia” imagined or being represented in such cultural production? Chua’s work is also distinctive in that it deals with the political and economic conditions that underpin mainstream pop consumption as a socio-cultural phenomenon, instead of examining consumption as identity politics. The article concludes by noting the significance that Chua as an institutional builder has played in enabling the study of East Asian pop culture in the region.  相似文献   
80.
商务往来中的文化冲击给涉外礼品馈赠带来诸多问题。文化交流中产生差异的根源是民族中心主义,通过以日本、德国等国家存在的典型文化差异为例,阐述文化四维论对涉外礼品赠送产生的指导意义。  相似文献   
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